<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>a m | i | n a d a v | r e c c a</title><link>https://nadavrecca.com/</link><description>Recent content on a m | i | n a d a v | r e c c a</description><generator>Hugo</generator><language>en_US</language><lastBuildDate>Mon, 01 Jun 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://nadavrecca.com/index.xml" rel="self" type="application/rss+xml"/><item><title>Shvartze Wolf</title><link>https://nadavrecca.com/posts/blog/shvartze_wolf/</link><pubDate>Mon, 01 Jun 2026 00:00:00 +0000</pubDate><guid>https://nadavrecca.com/posts/blog/shvartze_wolf/</guid><description>&lt;p&gt;Carlebach&amp;rsquo;s sad, dark story of the Shvartze Wolf (&amp;ldquo;Black Wolf&amp;rdquo;) has always captivated me. Listen to it here, if you don&amp;rsquo;t know it already:&lt;/p&gt;
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&lt;p&gt;What is this story about, really? When I first heard it, it touched me deeply, but I think I didn&amp;rsquo;t know what it was about. It&amp;rsquo;s mostly set in a forest on Shabbat, and it touches the themes of hidden/revealed, of the pain of despair, of the power of redemption at the last moment, and of course offers us a glimpse that the world we perceive isn&amp;rsquo;t as real as it seems. And the music &amp;mdash; ! So much beauty, I loved it, but I don&amp;rsquo;t think I knew what it was about&amp;hellip;&lt;/p&gt;</description></item><item><title>2026</title><link>https://nadavrecca.com/posts/books/2026/</link><pubDate>Wed, 14 Jan 2026 22:50:27 -0800</pubDate><guid>https://nadavrecca.com/posts/books/2026/</guid><description>&lt;ul&gt;
&lt;li&gt;/Man and his Symbols/ by Carl G. Jung&lt;/li&gt;
&lt;li&gt;/Fates and Furies/ by Lauren Groff&lt;/li&gt;
&lt;li&gt;/The Flowering Wand/ by Sophie Strand&lt;/li&gt;
&lt;li&gt;/Heart the Lover/ by Lily King&lt;/li&gt;
&lt;li&gt;/The Power of Myth/ by Joseph Campbell and Bill Moyers&lt;/li&gt;
&lt;li&gt;/Sake &amp;amp; Satori/ by Joseph Campbell&lt;/li&gt;
&lt;li&gt;/The Spell of the Sensuous/ by David Abram&lt;/li&gt;
&lt;li&gt;/The Snow Leopard/ by Peter Matthiessen&lt;/li&gt;
&lt;li&gt;/Metamorphoses/ by Ovid (trans. Stanley Lombardo)&lt;/li&gt;
&lt;li&gt;/Lincoln in the Bardo/ by George Saunders&lt;/li&gt;
&lt;li&gt;/Zen and the Art of Archery/ by Eugen Herrigel&lt;/li&gt;
&lt;li&gt;/Vineland/ by Thomas Pynchon&lt;/li&gt;
&lt;li&gt;/the mountain knows the mountain/ by Philip Connors&lt;/li&gt;
&lt;li&gt;/The Underground Railroad/ by Colson Whitehead&lt;/li&gt;
&lt;li&gt;/Fault Lines/ by Emily Itami&lt;/li&gt;
&lt;li&gt;/The Horse/ by Willy Vlautin&lt;/li&gt;
&lt;li&gt;/The Leopard/ by Giuseppe Tomasi di Lampedusa&lt;/li&gt;
&lt;li&gt;/A Month in Siena/ by Hisham Matar&lt;/li&gt;
&lt;li&gt;/A Short Stay in Hell/ by Steven L. Peck&lt;/li&gt;
&lt;li&gt;/The Book Thief/ by Markus Zusak&lt;/li&gt;
&lt;li&gt;/My Roman History/ by Alizah Holstein&lt;/li&gt;
&lt;li&gt;/Sons and Lovers/ by D. H. Lawrence&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>2025</title><link>https://nadavrecca.com/posts/books/2025/</link><pubDate>Tue, 04 Feb 2025 22:50:27 -0800</pubDate><guid>https://nadavrecca.com/posts/books/2025/</guid><description>&lt;ul&gt;
&lt;li&gt;/Bloodlands/ by Timothy Snyder&lt;/li&gt;
&lt;li&gt;/The Complete Stories/ by Clarice Lispector&lt;/li&gt;
&lt;li&gt;/Billionaire Wilderness/ by Justin Farrell&lt;/li&gt;
&lt;li&gt;/Kokoro/ by Natsume Sōseki&lt;/li&gt;
&lt;li&gt;/Meditations/ by Marcus Aurelius&lt;/li&gt;
&lt;li&gt;/The Color of Everything/ by Cory Richards&lt;/li&gt;
&lt;li&gt;/Rising from the Plains/ by John McPhee&lt;/li&gt;
&lt;li&gt;/The Solace of Open Spaces/ by Gretel Ehrlich&lt;/li&gt;
&lt;li&gt;/The Red Tenda of Bologna/ by John Berger&lt;/li&gt;
&lt;li&gt;/Confluence: Navigating the Personal &amp;amp; Political on Rivers of the New West/ by Zak Podmore&lt;/li&gt;
&lt;li&gt;/A Tale of Love and Darkness/ by Amos Oz&lt;/li&gt;
&lt;li&gt;/Mountains of the Mind/ by Robert MacFarlane&lt;/li&gt;
&lt;li&gt;/Sons and Daughters/ by Chaim Grade&lt;/li&gt;
&lt;li&gt;/Does this Make Me Funny?/ by Zosia Mamet&lt;/li&gt;
&lt;li&gt;/Beautiful World, Where Are You?/ by Sally Rooney&lt;/li&gt;
&lt;li&gt;/Jerusalem: The Biography/ by Simon Sebag Montefiore&lt;/li&gt;
&lt;li&gt;/The Magic Mountain/ by Thomas Mann&lt;/li&gt;
&lt;li&gt;/The Hounding/ by Xenobe Purvis&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>2024</title><link>https://nadavrecca.com/posts/books/2024/</link><pubDate>Wed, 03 Jan 2024 22:50:27 -0800</pubDate><guid>https://nadavrecca.com/posts/books/2024/</guid><description>&lt;ul&gt;
&lt;li&gt;/Fatelessness/ by Imre Kertész&lt;/li&gt;
&lt;li&gt;/Giving Up the Gun/ by Noel Perrin&lt;/li&gt;
&lt;li&gt;/To Be a Man/ by Robert Augustus Masters&lt;/li&gt;
&lt;li&gt;/High Sierra: A love story/ by Kim Stanley Robinson&lt;/li&gt;
&lt;li&gt;/Blood and Thunder/ by Hampton Sides&lt;/li&gt;
&lt;li&gt;/The Only Good Indians/ by Stephen Graham Jones&lt;/li&gt;
&lt;li&gt;/Desert Solitaire/ by Edward Abbey&lt;/li&gt;
&lt;li&gt;/The Darkest White/ by Eric Blehm&lt;/li&gt;
&lt;li&gt;/In Search of the Old Ones/ by David Roberts&lt;/li&gt;
&lt;li&gt;/The Monkey Wrench Gang/ by Edward Abbey&lt;/li&gt;
&lt;li&gt;/Norwegian Wood/ by Haruki Murakami&lt;/li&gt;
&lt;li&gt;/Stolen Focus/ by Johann Hari&lt;/li&gt;
&lt;li&gt;/The Last Season/ by Eric Blehm&lt;/li&gt;
&lt;li&gt;/Magic of the Ordinary/ by Gershon Winkler&lt;/li&gt;
&lt;li&gt;/The Idiot/ by Elif Batuman&lt;/li&gt;
&lt;li&gt;/Nine Nasty Words/ by John McWhorter&lt;/li&gt;
&lt;li&gt;/Creation Lake/ by Rachel Kushner&lt;/li&gt;
&lt;li&gt;/Sociopath/ by Patric Gagne&lt;/li&gt;
&lt;li&gt;/The Taos Indians and the Battle for Blue Lake/ by R. C. Gordon-McCutchan&lt;/li&gt;
&lt;li&gt;/Yakuza Moon/ by Shōko Tendō&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>2022</title><link>https://nadavrecca.com/posts/books/2022/</link><pubDate>Sun, 06 Nov 2022 22:50:27 -0800</pubDate><guid>https://nadavrecca.com/posts/books/2022/</guid><description>&lt;ul&gt;
&lt;li&gt;/The Dawn of Everything: A New History of Humanity/ by David Graeber and David Wengrow&lt;/li&gt;
&lt;li&gt;/The Fugitive/ by Marcel Proust&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/The Copernican Revolution/ by Thomas Kuhn&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/Harlem Shuffle/ by Colson Whitehead *&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/The Book of Blam/ by Aleksandar Tišma&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/Deep/ by James Nestor&lt;/li&gt;
&lt;li&gt;/Lakota America/ by Pekka Hämäläinen&lt;/li&gt;
&lt;li&gt;/Morality/ by R Jonathan Sacks&lt;/li&gt;
&lt;li&gt;/Shackleton/ by Ranulph Fiennes&lt;/li&gt;
&lt;li&gt;/Rise and Kill First/ by Ronen Bergman&lt;/li&gt;
&lt;li&gt;/Selected Stories/ by Lu Hsun&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/Blood, Bones &amp;amp; Butter/ by Gabrielle Hamilton&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/WHEN WE CEASE TO UNDERSTAND THE WORLD/ by Benjamín Labatut&lt;/li&gt;
&lt;li&gt;/The Patrick Melrose Novels/ by Edward St. Aubyn&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/Lost and Found/ by Kathryn Schulz&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/The Use of Man/ by Aleksandar Tišma&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/Under the Banner of Heaven/ by Jon Krakauer&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/Music: a Subversive History/ by Ted Gioia&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/The Rise and Fall of American Growth/ by Robert J. Gordon&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/The Power Broker/ by Robert Caro&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/The Summer Book/ by Tove Jansson *&lt;/li&gt;
&lt;li&gt;/This Is Real and You Are Completely Unprepared/ by Alan Lew&lt;/li&gt;
&lt;li&gt;/Merciless Eden/ by Doug Tims&lt;/li&gt;
&lt;li&gt;/The Naked Don&amp;rsquo;t Fear the Water/ by Matthieu Aikins *&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/Kapo/ by Aleksandar Tišma&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/From Bauhaus to Our House/ by Tom Wolfe&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>2023</title><link>https://nadavrecca.com/posts/books/2023/</link><pubDate>Sun, 06 Nov 2022 22:50:27 -0800</pubDate><guid>https://nadavrecca.com/posts/books/2023/</guid><description>&lt;ul&gt;
&lt;li&gt;/The Success and Failure of Picasso/ by John Berger&lt;/li&gt;
&lt;li&gt;/The Path to Power/ by Robert Caro&lt;/li&gt;
&lt;li&gt;/In Praise of Shadows/ by Jun&amp;rsquo;ichirō Tanizaki&lt;/li&gt;
&lt;li&gt;/The Emerald Mile/ by Kevin Fedarko&lt;/li&gt;
&lt;li&gt;/Black Elk Speaks/ by John Gneisenau Neihardt&lt;/li&gt;
&lt;li&gt;/The Making of the Atomic Bomb/ by Richard Rhodes&lt;/li&gt;
&lt;li&gt;/Essential Labor: Mothering as Social Change/ by Angela Garbes&lt;/li&gt;
&lt;li&gt;/The Secret Knowledge of Water/ by Craig Childs&lt;/li&gt;
&lt;li&gt;/The Odyssey/ by Homer (trans. Emily Wilson)&lt;/li&gt;
&lt;li&gt;/Tomorrow and Tomorrow and Tomorrow/ by Gabrielle Zevin&lt;/li&gt;
&lt;li&gt;/Culture of Narcissism/ by Christopher Lasch&lt;/li&gt;
&lt;li&gt;/Ulysses/ by James Joyce&lt;/li&gt;
&lt;li&gt;/The New Bloomsday Reader/ by Harry Blamires&lt;/li&gt;
&lt;li&gt;/Necessary Losses/ by Judith Viorst&lt;/li&gt;
&lt;li&gt;/Means of Ascent/ by Robert Caro&lt;/li&gt;
&lt;li&gt;/Sadly, Porn/ by &amp;ldquo;Edward Teach, MD&amp;rdquo;&lt;/li&gt;
&lt;li&gt;/The Peregrine/ by J.A. Baker&lt;/li&gt;
&lt;li&gt;/The Iliad/ by Homer (trans. Emily Wilson)&lt;/li&gt;
&lt;li&gt;/Tomorrow and Tomorrow and Tomorrow/ by Gabrielle Zevin&lt;/li&gt;
&lt;li&gt;/Bonjour Tristesse/ by Françoise Sagan&lt;/li&gt;
&lt;li&gt;/The Book of Goose/ by Yiyun Li&lt;/li&gt;
&lt;li&gt;/Time Regained/ by Marcel Proust&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>2021</title><link>https://nadavrecca.com/posts/books/2021ish/</link><pubDate>Sun, 06 Nov 2022 22:50:12 -0800</pubDate><guid>https://nadavrecca.com/posts/books/2021ish/</guid><description>&lt;ul&gt;
&lt;li&gt;/Piranesi/ by Susanna Clarke *&lt;/li&gt;
&lt;li&gt;/Sodom and Gomorrah/ by Marcel Proust&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/Find a Way/ by Diana Nyad&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/Jews Don&amp;rsquo;t Count/ by David Baddiel&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/Detransition Baby/ by Torrey Peters *&lt;/li&gt;
&lt;li&gt;/A Sense of the Whole/ by Siamak Vossoughi *&lt;/li&gt;
&lt;li&gt;/Interior Chinatown/ by Charles Yu *&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/East West Street/ by Philippe Sands&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/The Prisoner/ by Marcel Proust&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/The Drama of the Gifted Child/ by Alice Miller&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/Spring/ by Ali Smith (“seasonal quartet”)&lt;/li&gt;
&lt;li&gt;/Summer/ by Ali Smith (“seasonal quartet”)&lt;/li&gt;
&lt;li&gt;/Ministry for the Future/ by Kim Stanley Robinson&lt;/li&gt;
&lt;li&gt;/Drug Use for Grown-Ups/ by Carl Hart *&lt;/li&gt;
&lt;li&gt;/The Warmth of Other Suns/ by Isabel Wilkerson&lt;/li&gt;
&lt;li&gt;/Between Two Kingdoms/ by Suleika Jaouad&lt;/li&gt;
&lt;li&gt;/The Flintstones. Vol. 1/ by Mark Russell&lt;/li&gt;
&lt;li&gt;/Night Thoughts/ by Wallace Shawn&lt;/li&gt;
&lt;li&gt;/Cadillac Desert/ by Marc Reisner&lt;/li&gt;
&lt;li&gt;/Training for Uphill Athletes/ by House, Johnston, Jornet&lt;/li&gt;
&lt;li&gt;/The Structure of Scientific Revolutions/ by Thomas Kuhn&lt;/li&gt;
&lt;li&gt;/Breath/ by James Nestor&lt;/li&gt;
&lt;li&gt;/Blue In Green/ by Ram V&lt;/li&gt;
&lt;li&gt;/Hamnet/ by Maggie O&amp;rsquo;Farrell *&lt;/li&gt;
&lt;li&gt;/The Flintstones, Vol. 2/ by Mark Russell
&lt;em&gt;Other stuff that I accidentally deleted, to be filled in as I remember.&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/Lessons from the Dying/ by Rodney Smith&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/Powder Days/ by Heather Hansman&lt;/li&gt;
&lt;li&gt;/Cloud Cuckoo Land/ by Anthony Doerr *&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>2020</title><link>https://nadavrecca.com/posts/books/2020ish/</link><pubDate>Sun, 06 Nov 2022 22:49:50 -0800</pubDate><guid>https://nadavrecca.com/posts/books/2020ish/</guid><description>&lt;h3 id="2020"&gt;2020&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;/Against the Grain/ by James C. Scott&lt;/li&gt;
&lt;li&gt;/The Topeka school/ by Ben Lerner *&lt;/li&gt;
&lt;li&gt;/Season of the Witch/ by David Talbot *&lt;/li&gt;
&lt;li&gt;/Geology Underfoot in Yosemite NP/ by Allen F. Glazner and Greg M. Stock&lt;/li&gt;
&lt;li&gt;/Sontag/ by Benjamin Moser&lt;/li&gt;
&lt;li&gt;/The Buried Giant/ by Kazuo Ishiguro *&lt;/li&gt;
&lt;li&gt;/The Witches Are Coming/ by Lindy West&lt;/li&gt;
&lt;li&gt;/A Fortunate Man/ by John Berger&lt;/li&gt;
&lt;li&gt;/Zen Mind Beginners Mind/ by Shunryu Suzuki&lt;/li&gt;
&lt;li&gt;/Autumn/ by Ali Smith (“seasonal quartet”)&lt;/li&gt;
&lt;li&gt;/Winter/ by Ali Smith (“seasonal quartet”)&lt;/li&gt;
&lt;li&gt;/The Song of Achilles/ by Madeline Miller *&lt;/li&gt;
&lt;li&gt;/Circe/ by Madeline Miller&lt;/li&gt;
&lt;li&gt;/Trick Mirror/ by Jia Tolentino&lt;/li&gt;
&lt;li&gt;/Such a Fun Age/ by Kiley Reid&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>2019</title><link>https://nadavrecca.com/posts/books/2019ish/</link><pubDate>Sun, 06 Nov 2022 22:49:19 -0800</pubDate><guid>https://nadavrecca.com/posts/books/2019ish/</guid><description>&lt;ul&gt;
&lt;li&gt;/Sexographies/ by Gabriela Wiener&lt;/li&gt;
&lt;li&gt;/Winners Take All/ by Anand Giridharadas&lt;/li&gt;
&lt;li&gt;/The Patch/ by John McPhee&lt;/li&gt;
&lt;li&gt;/Assembling California/ by John McPhee&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/Milkman/ by Anna Burns&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/Land of Lost Borders: A Journey on the Silk Road/ by Kate Harris&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/How to Do Nothing/ by Jenny O’Dell&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/Lost Time: Lectures on Proust in a Soviet Prison Camp/ by Jozef Czapski&lt;/li&gt;
&lt;li&gt;/The Three Body Problem/ by Cixin Liu *&lt;/li&gt;
&lt;li&gt;/The Dark Forest/ by Cixin Liu&lt;/li&gt;
&lt;li&gt;/Death’s End/ by Cixin Liu&lt;/li&gt;
&lt;li&gt;/How to be Both/ by Ali Smith *&lt;/li&gt;
&lt;li&gt;/The Overstory/ by Richard Powers *&lt;/li&gt;
&lt;li&gt;/Dignity/ by Chris Arnade&lt;/li&gt;
&lt;li&gt;/Fleishman is in Trouble/ by Taffy Brodesser-Akner&lt;/li&gt;
&lt;li&gt;/There There/ by Tommy Orange&lt;/li&gt;
&lt;li&gt;/Neoreaction A Basilisk/ by Elizabeth Sandifer and Jack Graham&lt;/li&gt;
&lt;li&gt;/The Alphabet vs The Goddess/ by Leonard Shlain&lt;/li&gt;
&lt;li&gt;/Empire of the Summer Moon/ by S. C. Gwynne&lt;/li&gt;
&lt;li&gt;/Another Way of Telling/ by John Berger and Jean Mohr&lt;/li&gt;
&lt;li&gt;/A Californian’s Guide to the Birds Among Us/ by Charles Hood&lt;/li&gt;
&lt;li&gt;/Educated: A Memoir/ by Tara Westover *&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/Nothing Special/ by Charlotte J. Beck&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/Everyday Zen/ by Charlotte J. Beck&lt;/li&gt;
&lt;li&gt;/Here Is Where We Meet/ by John Berger&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>Pre History</title><link>https://nadavrecca.com/posts/books/pre-history/</link><pubDate>Sun, 06 Nov 2022 22:48:50 -0800</pubDate><guid>https://nadavrecca.com/posts/books/pre-history/</guid><description>&lt;ul&gt;
&lt;li&gt;/The Resilient Gardener/ by Carol Deppe&lt;/li&gt;
&lt;li&gt;/Inner Skiing/ by Timothy Gallwey&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/Hold Everything Dear/ by John Berger&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/Earthship: Volume II/ by Michael Reynolds&lt;/li&gt;
&lt;li&gt;/Debt/ by David Graeber&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;/Amusing Ourselves to Death/ by Neil Postman&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;/The Disappearance of Childhood/ by Neil Postman&lt;/li&gt;
&lt;li&gt;/Bike Battles/ by James Lewis Longhurst&lt;/li&gt;
&lt;li&gt;/The Story of Modern Skiing/ by John Fry&lt;/li&gt;
&lt;li&gt;/California/ by Kevin Starr&lt;/li&gt;
&lt;li&gt;/The Way We Never Were/ by Stephanie Coontz&lt;/li&gt;
&lt;li&gt;/Words and Rules/ by Steven Pinker&lt;/li&gt;
&lt;li&gt;/Underworld/ by Don DeLillo&lt;/li&gt;
&lt;li&gt;/Handmaiden’s Tale/ by Margaret Atwood&lt;/li&gt;
&lt;li&gt;/The Sellout/ by Paul Beatty&lt;/li&gt;
&lt;li&gt;/4 3 2 1/ by Paul Auster&lt;/li&gt;
&lt;li&gt;/Ancillary Justice/ by Ann Leckie&lt;/li&gt;
&lt;li&gt;/About Looking/ by John Berger&lt;/li&gt;
&lt;li&gt;/Less/ by Andrew Sean Greer&lt;/li&gt;
&lt;li&gt;/Sidewalk/ by Mitchell Duneier&lt;/li&gt;
&lt;li&gt;/A Basque History of the World/ by Mark Kurlansky&lt;/li&gt;
&lt;li&gt;/Americanah/ by Chimamanda Ngozi Adichie&lt;/li&gt;
&lt;li&gt;/Remains of the Day/ by Kazuo Ishiguro&lt;/li&gt;
&lt;li&gt;/A Terrible Country/ by Keith Gessen&lt;/li&gt;
&lt;li&gt;/The Betrayal of the Self/ by Arno Gruen&lt;/li&gt;
&lt;li&gt;/The Last Stand/ by David Harris&lt;/li&gt;
&lt;li&gt;/Le Petit Prince/ by Antoine de Saint-Exupéry&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>Hindsight</title><link>https://nadavrecca.com/posts/blog/hindsight/</link><pubDate>Sun, 06 Nov 2022 22:12:52 -0800</pubDate><guid>https://nadavrecca.com/posts/blog/hindsight/</guid><description>&lt;p&gt;It&amp;rsquo;s incredible to notice just how damn &lt;em&gt;obvious&lt;/em&gt; everything is in hindsight: financial/economic decisions &amp;ndash; I&amp;rsquo;m thinking of how getting a mortgage when rates were low is now so obvioulsy the right move &amp;ndash; what&amp;rsquo;s &amp;ldquo;really&amp;rdquo; going on in a relationship or a complex dynamic, even how to solve a technical problem. Once the situaiton plays itself out, it&amp;rsquo;s not only inevitable but often seems puzzling that my past self couldn&amp;rsquo;t navigate the obvious obstacle!&lt;/p&gt;</description></item><item><title>Go Outside</title><link>https://nadavrecca.com/projects/gooutside/</link><pubDate>Fri, 04 Feb 2022 19:55:07 -0800</pubDate><guid>https://nadavrecca.com/projects/gooutside/</guid><description>&lt;p&gt;&lt;a href="https://ineedacamp.site"&gt;for friends only&lt;/a&gt;&lt;/p&gt;</description></item><item><title>About</title><link>https://nadavrecca.com/about/</link><pubDate>Mon, 09 Jul 2018 21:36:19 -0700</pubDate><guid>https://nadavrecca.com/about/</guid><description>&lt;p&gt;I am Nadav Recca.&lt;/p&gt;
&lt;p&gt;I live in &lt;del&gt;San Francisco, California&lt;/del&gt; Taos, New Mexico and I like to watch sunrises &amp;amp; sunsets.&lt;/p&gt;
&lt;p&gt;I also spend time forcing my bike up big hills, forcing my brain to speak new languages, and forcing computers to do complicated things.&lt;/p&gt;
&lt;p&gt;That&amp;rsquo;s about all the forcing I try to do in life. The rest is &lt;em&gt;just riding the earth&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;I would love for you &lt;a href="mailto:take+a+guess@nadavrecca.com"&gt;to say hi&lt;/a&gt;.&lt;/p&gt;</description></item><item><title>Go Outside</title><link>https://nadavrecca.com/outside/</link><pubDate>Mon, 09 Jul 2018 21:36:19 -0700</pubDate><guid>https://nadavrecca.com/outside/</guid><description>&lt;p&gt;We&amp;rsquo;ve moved! visit &lt;a href="https://ineedacamp.site"&gt;ineedacamp.site&lt;/a&gt;&lt;/p&gt;</description></item><item><title>eleventhour</title><link>https://nadavrecca.com/projects/eleventhour/</link><pubDate>Mon, 25 Jun 2018 20:43:15 -0700</pubDate><guid>https://nadavrecca.com/projects/eleventhour/</guid><description>&lt;p&gt;Our clock divides the day into two 12-hour halves.&lt;/p&gt;
&lt;p&gt;Twelve was an important number for many ancient civilizations, which gave us our 12 hour days and nights.&lt;/p&gt;
&lt;p&gt;I wondered what our clocks would look like if that number was different. What if we had &lt;a href="https://nadavrecca.com/eleventhour"&gt;11 hour clocks&lt;/a&gt;? or &lt;a href="https://nadavrecca.com/eleventhour#24"&gt;24 hour clocks&lt;/a&gt;? Or &lt;a href="https://nadavrecca.com/eleventhour#37"&gt;37 hour clocks&lt;/a&gt;? With 11 hours, the differences are subtle but drive the clock into uncanny-valley territory, which is territory I like exploring.&lt;/p&gt;</description></item></channel></rss>